Understanding the open space of an urban railway area in transition as a discontinuum of sonic and vibrational possibilities determined by more actants than human sounds, encouraged a revision of dominant sonic approaches, method and tools used in the urban design process as we know it. A decentering of the human sense and perspective seems to have implications for the urban design it constrains.
This studio is linked to the following PhD Project by Caroline Claus, Supervised by Prof. Dr. Burak Pak and Peter Cusack, funded by KU Leuven FLOF Funds project link